Reclining Woman with Raised Skirt, Egon Schiele, 1918, Modern and Contemporary Art
Bequest of Scofield Thayer, 1982
Size: 18 1/8 x 11 5/8 in. (46 x 29.5 cm)
Medium: Charcoal on paper
I think I may be attracted to arrows, whose trajectory doesn’t end in my body.
We’re loose and flying, in the same direction.
Sappho et amicae - Misty morning by the river
Detail: Dante and Virgil in Hell, 1850, by William-Adolphe Bouguereau.
[Interior of a Cave], date unknown
Andrey Avinoff. pastel on board
Sketch of a Bound Man, John Singer Sargent, 1917-21
we return to each other in waves this is how water loves!!!!!!!!
Make-Up inspired by a frame of “Kirkstall Abbey” by George Lambert by Sofia Foiera
evidence that ancient paleolithic venus statues were made by women who were examining their own bodies and sculpting them from their own point of view, not, as previously assumed, exaggerated features from an outside perspective
Study of a Seated Man
John Singer Sargent (American; 1856–1925)
1895
Transfer lithograph on laid paper
National Gallery of Art, Washington, D.C.Printed by Frederick Goulding (British; 1842–1909)
from Mary Shelley’s journal, February 25, 1822
Les Oréades (detail), 1902
oil on canvas
William-Adolphe Bouguereau
1. Neil Gaiman, Dream Country
2. J. Kirk Richards, Kiss (2015)
3. W. S. Merwin, Wish
4. Hans Makart, Faun and Nymph
5. Hozier, No Plan









![colorconception:
“[Interior of a Cave], date unknown
Andrey Avinoff. pastel on board
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